HISTORICAL & CONTEMPORARY LITERARY FICTION

ANNA
TIMORA

Some women are remembered for the lives they made. Others are still trying to understand the lives they have.

In one novel, a young woman risks her place in the world for the freedom to love. In another, Rachel holds tight to a life whose meaning is changing beneath her. In the Appalachian South, a woman's understanding of herself begins to fracture. Three fictional worlds. Four books in the Natalie series.

Anna Timora with her dog Luke by a sunlit window

Three worlds. Different kinds of danger.

A family can decide a daughter's future. Love can make the past difficult to leave alone. A familiar place can hold questions nobody has wanted to ask. These novels follow what people do when the lives they know no longer give them easy answers.

Notes from the work.

I share research discoveries, occasional notes from the work, and publication news when there is news to give.

Join Letters from Anna ↗

Before Natalie became a legend.

Natalie Clifford Barney would become known for her writing, her relationships with women, and her Paris salon. But before any of that, she was a daughter whose future had been arranged around other people's expectations. Wild imagines the young Natalie discovering how much a refusal can cost.

Discover the Natalie series
I Love You. LMS, handwritten in dust on an old wooden surface

The Keeper.

She is coming. I hear her take the stairs two at a time, not pausing at the landing.

There are things a woman can say in the privacy of a bedroom that she would never dare admit in daylight.

Enter The Keeper

The Hollar.

In the mountains of 1970s Appalachia, a family can know every bend in the road and still be unable to find its way out of its own history.

Life in the hollars is shaped by work, weather, kinship, and the practical knowledge passed from one generation to another. People know how to mend what breaks, how to make a little last, and how to recognize trouble long before it reaches the front porch.

Enter The Hollar
Anna Timora at her writing desk beside an open notebook

Why I write these lives.

I am interested in what people know before they can say it, what families insist upon, and what a person does when an old explanation fails.

My stories move from the Appalachian South to the drawing rooms and private lives of Belle Époque Paris. Place changes what is possible. So do love, money, history, and the people we cannot easily leave.

About Anna

The lives behind the fiction.

The historical archive follows the women and men around Natalie through their own work, relationships, places, and surviving records. The evidence is worth exploring even when it refuses to give a complete answer.

Artworks pictured: Romaine Brooks and Alice Pike Barney. Credits and collection records ↗

Enter the archive

Help find what history has misplaced.

Two photographic mysteries lead our first public research challenges: an adult portrait of Renée Vivien’s sister, and a second original photograph of Violet Shillito. A family album or archival finding aid could change the record.

Explore the Open Cases ↗

Help recover their stories.

A letter in a family archive. An unidentified portrait. A woman missing from the record. If you have research that clarifies these lives and connections, your discovery belongs in the conversation. Every submission receives private editorial review.

Share a discovery

Letters from Anna.

Notes from the manuscripts, discoveries from the archives, and publication news. Occasional letters when there is something worth sharing.